BBC documentary about the rise of the New German Cinema and several of its most important figures.

The closing of a small shipbuilder in New England places stresses on the people involved.

There were four friends. Now there are only three – one of them has just died in Sicily in a stupid road accident. Fifteen years earlier, Tomas, a young French filmmaker, had made the group the subject of a documentary. He had become their friend, their brother from Paris.

On the last in Russia narrow-gauge railway (UZhD), the felled timber is taken out. Together with the felled forest, the villages located nearby also perish. The void from the felling that has taken over everything around is getting closer and closer to the village where the heroes of the film live.

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

Filmbyen is a cinema-town created by Lars Von Trier (director) et Peter Aalbek Jensen (producer). They founded together a company which regroups all the cinema business industry. That documentary retraces the Filmbyen story, how it functions, the artistic and economic issues that arise.

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The filmed version of the one-woman stage show written by Jane Wagner and starring Lily Tomlin, which won the Drama Desk Award for Unique Theatrical Experience. The film stays true to the original stage performance. For her efforts on film and stage, Tomlin received a Tony Award, and Funniest Actress in a Motion Picture in the American Comedy Awards.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.